By A. H. Assadi, P. Vogel (auth.), Andrew Ranicki, Norman Levitt, Frank Quinn (eds.)
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Additional resources for Algebraic and Geometric Topology: Proceedings of a Conference held at Rutgers University, New Brunswick, USA July 6–13, 1983
The foot, and the bottom of the body, are glazed; tw-o sets of triple bands around the body below the handle zone. A wavy line in the handle zone at the front. Nine glaze bands around the shoulder; in two places below the base of the neck, sets of three vertical pendants. The vertical handle was flat; enough remains to show that it was decorated with bars. The outer faces of the horiW a zontal handles aire solidliy glazed. k] Pinkish buff clay, covered with a heavycreamy slip; black glaze, metallic in _ ', places, and much peeled.
Reserved inside, a dot at the centre of the floor. The deep body and straight rim are like those of the early kantharos XV 2; other examples with subgeometric decoration, IX 8-10. The shape is later than that of the example from Anavysos (Praktika, 1911, p. 119, upper right); here again the flattening of the shoulder noted in connection with VII 4 is to be observed. The decoration around the body is derived from the late Geometric linked dot band; the dots have become elongated, here to be linked by tangents, as on VII 6 to be ringed with dots.
The two amphorasillustrated by Wide belong at the end of the eighth century; ours may be slightly later. XI 2. Amphora and Lid. Fig. 32 P 5422. 33m. Max. 181m. Vertical ring foot and rather slim body, with tall neck, slightly concave, flaringto a rounded lip. Band handles to mid-neck,decorated with bars. Glaze bands around the body, interrupted by five decoratedzones. In the lowest, a wavy line of dots; above, careless wavy verticals and a zigzag. In the zone at the level of the handle attachments,wavy verticals probablymeant to be a succession of sigmas, and in the zone at the base of the neck, a wavy line of dots.