By Hans Pokora
The cream of people, Psychedelic, innovative, storage and Beat tune. Over one thousand expert color images of the rarest 60's and 70's album covers from world wide. Over three hundred US teams together with all JUSTICE LP´s and the RAREST ACETATES proven for the 1st time. The rarest releases from AUSTRIA to NEW ZEALAND. vague collectables from TURKEY, GREECE, SOUTH KOREA, MEXICO, COLOMBIA, ITALY, ICELAND, AUSTRALIA, SOUTH AFRICA and masses more.
A kaleidoscopic review of the rarest and most costly collectable albums from around the globe. An critical ebook for all critical creditors of 60's and 70's infrequent files, compiled from the collector Hans Pokora for creditors and curious song enthusiasts. contains actual description of: starting place, Label, price and Rarity.
Read or Download 2001 Record Collector Dreams (Record Collector Dreams, Volume 2) PDF
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Extra info for 2001 Record Collector Dreams (Record Collector Dreams, Volume 2)
60 With this all-encompassing treatment, Wright established a sense of containment that was both defining and nonrestrictive for anyone using this thoughtfully considered outdoor living space. Wright’s developed landscape and entry experience were as dissimilar to his neighbors as his architecture was to their ornate homes. ” Often, a heavy-membered cast iron fence surrounded the property. Eclectic plantings were placed around the entire house foundation to soften or mask the unsightly masonry foundation.
The entry steps, the entry sidewalk, and the mounting blocks leading from the carriageway Figure 2-5 Open, uncluttered, and receptive character of original entry approach for Wright’s Oak Park Home. ) THE EMERGENT YEARS: 1889–1897 were arranged to accommodate a small existing pine tree, with the lower branches assiduously pruned so as to completely expose the texture of the brick parapet, the cascading plants, and the longitudinal band of coping (Figure 2-5). And the area around the unpaved entry walkway was left free of other plantings to preserve the base plane of the lawn, expose the longitudinal band of the masonry base, emphasize the expansive width of the walkway, and draw attention toward the perennial bed at the base of the parapet to the north of the entry steps.
He instead positioned the main structure so that the south facade was a minimal 10 feet from the boundary and arranged the carriageway/walkway so there was just enough width for a narrow planting bed along the outer edge. The west (front) facade, on the other hand, was 94 feet from the Forest Avenue right-of-way—a setback half again as deep as other houses on the street (Figure 2-3). Wright’s rationale for siting the house so close to the southernmost boundary is not clear. The view was not a consideration, because the living room is on the north side of the house and there originally were no windows on the north wall of that room.